“The Bravery of Storytelling” is the title of today’s guest post at Writers Pay it Forward – you won’t want to miss this intriguing topic and opportunity to hear from Jennifer A. Payne about storytelling as well as her latest poetry book “Evidence of Flossing: What We Leave Behind”
- Title: Evidence of Flossing: What We Leave Behind
- Author: Jennifer A Payne
- Genre: Poetry
- Length: 180 pages
- Publisher: Three Chairs Publishing
Jennifer A Payne’s
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Evidence of Flossing: What We Leave Behind
The Bravery of Storytelling
by Jen Payne, author of the new book Evidence of Flossing: What We Leave Behind
Several years ago, I was meeting with a client I hadn’t seen in a few years. We started with the usual Hi. How are You? I’m Fine. How are You? small talk protocol, but then she saw a reliquary hanging on the wall in my office.
The reliquary—traditionally a container for holy objects—was a mixed-media collage I had created. Within the shadowbox frame was a painting of an angel, decorated panels, pieces of a poem, and symbols: an alpha and omega, a feather, a heart. An artist herself, my client asked about the piece, and I told her the story of lost love and deep sadness that had inspired it.
When I was done, she took my hand and thanked me. Then she told me her story—the disappointment that had shaken everything she thought she knew, her attempts to heal, and how the process changed her.
So there we were, two almost-strangers, pushing through the ordinary to the extra-ordinary moments in our lives. There was no protocol for the rest of our meeting that day, instead we talked about our common experiences, the different paths, the shared emotions.
“If we can sit together and talk about what’s important to us, we begin to come alive,” writes Margaret J. Wheatley in her book Turning to One Another, Simple Conversations to Restore Hope to the Future. “When we’re brave enough to risk a conversation, we have the chance to rediscover what it means to be human.”
Ultimately, isn’t that our charge as artists? As writers? To communicate the human experience— to bravely tell our own stories in an effort to share, to teach, to connect with others.
Make no mistake—it takes courage. It takes courage to be honest, to talk about love and loss, about success and disappointment. You have to be brave to talk about your passions and fears—both out loud and in your creative work. Writing, creating art, is not for the faint of heart. No. Writing, creating any kind of art that tells our story, takes big, brave hearts. It is from that place, from that wide open courageous place, that we create what is indeed, holy.
(Image: Divine Inspiration, mixed-media collage, by Jen Payne. Quotes from Wheatley, Margaret J., Turning to One Another, Simple Conversations to Restore Hope to the Future. San Francisco: Berrett-Kohler Publishers, 2012.)
Would God floss? Do spiders sing? Can you see the Universe in your reflection? Find the answers to these questions and more in this new book by Connecticut writer Jen Payne. Her poems in EVIDENCE OF FLOSSING: WHAT WE LEAVE BEHIND investigate the human condition and its folly, the beauty of our natural world, and the possibility of divine connection. 80 original and vintage photographs include a series of discarded dental flossers that inspired the book’s title.
ALA Notable Book author Dale Carlson calls the book “a brilliantly incisive commentary on our simultaneous human sense of beauty and waste and loss.”
EVIDENCE OF FLOSSING speaks to the common heart that beats in you and in me, in the woods and on the streets, across oceans and around this planet. It asks us all to consider the effects of our actions and how they influence everything else in the Universe.
The poems in Evidence of Flossing: What We Leave Behind are a brilliantly incisive
commentary on our simultaneous human sense of beauty and waste and loss. ~ Dale Carlson, ALA Notable Book author
In Jen Payne’s exquisite introduction to Evidence of Flossing, she provides the purpose of this book: to illustrate, poem by poem, the very fraught relationships which define us, human to human, human to earth and animal, and human to the unifying spirit, which may or may not be her lower case “god.” She is sober, admonitory, enraptured and antic by turns, her illustrative photographs always a source of pleasure or irony — often both. This is a most unusual book, richly thoughtful and sorely, sorely needed. ~ Nancy Fitz-Hugh Meneely, author, Letter from Italy, 1944
It’s uncanny how Jen Payne grabs hold of seemingly ordinary strands of life — then surprises us with new meaning. A master at storytelling, Jen brings us to the realization that the stories she shares are actually ours. An engaging, thought provoking and masterful reflection on our collective legacy in this world. ~ Mary O’Connor, author, Life Is Full of Sweet Spots and Dreams of a Wingless Child
About The Author
Jen Payne is inspired by those life moments that move us most — love and loss, joy and disappointment, milestones and turning points. Her writing serves as witness to these in the form of poetry, creative non-fiction, flash fiction and essay. When she is not exploring our connections with one another, she enjoys writing about our relationships with nature, creativity, and mindfulness, and how these offer the clearest path to finding balance in our frenetic, spinning world.
Very often, her writing is accompanied by her own photography and artwork. As both a graphic designer and writer, Jen believes that partnering visuals and words layers the intentions of her work, and makes the communication more palpable.
In 2014, she published LOOK UP! Musings on the Nature of Mindfulness, a collection of essays, poems and original photography. Evidence of Flossing: What We Leave Behind is her second book.
Jen is the owner of Three Chairs Publishing and Words by Jen, a graphic design and creative services company founded in 1993, based in Branford, Connecticut. She is a member of the Arts Council of Greater New Haven, the Branford Arts and Cultural Alliance, the Connecticut Poetry Society, Guilford Arts Center, the Guilford Poets Guild, and the Independent Book Publishers Association.
Installations of her poetry were featured in Inauguration Nation an exhibition at Kehler Liddell Gallery in New Haven (2017), and Shuffle & Shake at the Arts Council of Greater New Haven (2016). Her writing has been published by The Aurorean, Six Sentences, the Story Circle Network, WOW! Women on Writing, and The Perch, a publication by the Yale Program for Recovery and Community Health.
You can read more of her writing on her blog Random Acts of Writing, www.randomactsofwriting.net.